Where else but in Australia would you find a band featuring a Sri Lankan born West African percussion master
and a Vietnamese traditional musician mixing it with players diversely experienced in western pop, jazz, and classical traditions?
This project presents material from Way Out West’s 2007 release, Old Grooves for New Streets which has received widespread
praise since its release. The repertoire extends the dialogue with notions of Australian cultural identity that has inspired
the group’s music since its inception. It engages with a range of communities, taking audiences on a journey through musical
terrain presented in an accessible manner that encourages new ways of listening.
A chance meeting in 2001 between trumpeter/composer, Peter Knight, and Vietnamese traditional music virtuoso, Dung Nguyen led
to the formation of Way Out West, a band that continues to draw inspiration from Australia's cultural vitality and diversity with
its new album, Old Grooves for New Streets.
Dung learnt his instruments, including the 16-stringed Vietnamese zither (dan tranh), and dan bau (a single stringed instrument
also called the monochord) from his grandfather while growing up in Vietnam, continuing a tradition of many generations.
Dung’s fluency in both Vietnamese music and jazz means collaborating with Peter Knight and the rest of the band creates a new
sound rather than a pastiche of pre-existing sounds. Many reviews of Way Out West’s first album, Footscray Station, note the
unified approach the band achieves.
"The supple seamless vibes they produce easily transcend any glib notions of multicultural kitsch"
Herald Sun
"That these exotic sounds blend so well with jazz is a mysterious alchemy"
Sydney Morning Herald